Denton Distribution

Uniquely Independent. Denton Distribution aims to provide the best in UK and Worldwide film distribution

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What a Film Distributor is looking for. Tip #8

The editing of the film draws your audience’s perception.

  • Editing is the assembly of different shots aimed at creating a coherent sequence.
  • It is an artform.
  • The film director should always take control of the film editing as his vision will only be illustrated if he can control the editing.
  • If not, the film will be a nightmare to edit and will consist of inconsistencies, jump cuts and distracting mistakes.
  • Understanding film editing from the beginning will affect and ultimately control the way you shoot scenes and move your actors

Here are more tips on how to successfully edit your film on http://www.lavideofilmmaker.com/filmmaking/film-editing-tips.html

What a Film Distributor is looking for. Tip #5

Sound is an important key

  • Poor sound is sometimes the biggest downfall of independent films.
  • You’d think the sound doesn’t play major roles in a movie but it does.
  • Some professionals claim that if the image is not great, this can be compensated by a great story line.
  • However poor sound is intolerable!
  • Sound recording should be taken extremely seriously if you want to keep an audience.

Read more about how the sound of a film can affect the way it is portrayed in a way you could never imagine on http://www.lavideofilmmaker.com/filmmaking/record-good-production-sound.html

What a Film Distributor is looking for. Tip #4

Move the camera in a planned and specific way to capture greatness
  • This is very closely related to the camerawork issue. (Discussed in Tip #3.)
  • As well as imaginative camera angles, the movement of the camera should be used a tool to further draw the audience into your story.
  • Camera movement should not be motivated by whether the actors are moving or not, it should be motivated by the actions and by the characters.

What a Film Distributor is looking for. Tip #3

Simply look through the camera and see the greatness.

  • There is brilliant camerawork and there is abysmal camera work. Make sure you are not the latter, it cripples your filmmaking from the get go.
  • Never over estimate good framing techniques.
  • It is proven that imaginative camerawork increases the connection between your brilliant story line and your engaging audience. However, if the camerawork is amateur, weak and unmotivated, your greatly structured and grafted story line is not portrayed as such.
  • Just make sure that your choices are motivated by the characters and the scene.

For more tips on camerawork visit http://www.lavideofilmmaker.com/filmmaking/film-video-camerawork-tips.html

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"Serious films that have not been Box Office smashes deserve backing too!" 

British Film has been dominating the news recently. This article opposes those of the government who believe that they should only support those commercial films. Other films out there need to be recognised for their performance and their talented abilities. It is not fair to just side line those who have not been Box Office smashes for any reason. 

Denton supports those, so should Britain!

…and the press is loving him!

-Andre Retteal

Four Hours Movie featured Norwegian Press 

[Norwegian Only - Apologies] 

Director of Four Hours Movie, Andre Rettedal, loves the limelight in Norway. 

Netflix for UK Film and TV Streaming :) 

“Netflix was the single biggest driver of internet traffic in the US.”

It is now available for UK film and TV streaming. Denton Distribution is very happy with this. We acquire a variety of UK films from all different genres and applaud new opportunities for availability to film lovers. With this fantastic news, hope for the UK Film Industry to compete worldwide continues to grow rapidly.

2012 will be great!

Making a Norwegian kid’s dream come true
-Andre Rettedal
Born in a Norwegian fishing village, Andre up and left everything he knew and everyone he loved to chase his dreams. Being raised in a fishing village, his life was simple and unspectacular. However, that was not enough for him, like many of us, he had dreams but unlike many of us, he took the risk and he went for it!
Growing up, Andre was constantly in front of the television very curious of how everything worked. Unfortunately he could not afford to ask his mum to take him to the cinema every weekend, but he was an avid follower of films that were broadcasted on standard television. At an early age he knew what he wanted to be: “I want to become a director!”
After begging his parents to invest in him, he booked his plane ticket and came to London with nothing more than his grandfather’s suitcase and his beloved script, which he had been working on since he was 15 years old. Although Andre only had £3000, he was determined to make his film! With hard graft and determination he found a team and he got it made. Andre achieved what most people find impossible - He completed his film in 6 days! 6 full days of filming and directing, 6 hard days of trying to communicate with everyone.
This is his baby! His brain child. He made the film 6 days with exactly £2700 and guess what? Against all odds, it sold at the Cannes Film Festival (2011).
Denton Distribution have made a Norwegian kid, who struggles to even speak English, a very ecstatic person and are now distributing the film worldwide. Who says you need £1million to make a film? Andre has proved all you need is £3000 and a lot of determination. Recently lauded as the “Norwegian Tarantino” by Norwegian Press, Andre’s future is bright!

Making a Norwegian kid’s dream come true

-Andre Rettedal

Born in a Norwegian fishing village, Andre up and left everything he knew and everyone he loved to chase his dreams. Being raised in a fishing village, his life was simple and unspectacular. However, that was not enough for him, like many of us, he had dreams but unlike many of us, he took the risk and he went for it!

Growing up, Andre was constantly in front of the television very curious of how everything worked. Unfortunately he could not afford to ask his mum to take him to the cinema every weekend, but he was an avid follower of films that were broadcasted on standard television. At an early age he knew what he wanted to be: “I want to become a director!”

After begging his parents to invest in him, he booked his plane ticket and came to London with nothing more than his grandfather’s suitcase and his beloved script, which he had been working on since he was 15 years old. Although Andre only had £3000, he was determined to make his film! With hard graft and determination he found a team and he got it made. Andre achieved what most people find impossible - He completed his film in 6 days! 6 full days of filming and directing, 6 hard days of trying to communicate with everyone.

This is his baby! His brain child. He made the film 6 days with exactly £2700 and guess what? Against all odds, it sold at the Cannes Film Festival (2011).

Denton Distribution have made a Norwegian kid, who struggles to even speak English, a very ecstatic person and are now distributing the film worldwide. Who says you need £1million to make a film? Andre has proved all you need is £3000 and a lot of determination. Recently lauded as the “Norwegian Tarantino” by Norwegian Press, Andre’s future is bright!

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